What the hell is that?
- Straight ahead. - There it is. Wow.
- Movies you? - Yes, yes.
- Wow. - What is it really?
- The ... - I thought you knew.
I knew it, but I m ??å just look again.
- Come on in. - I do not want.
- Just æ vexatious. - Come on!
Okay, okay.
Yes, now we are here, we have come to England.
We are t t p æ å Glastonbury, it is ... Thor, I think, up there.
Here we are - finally!
And all you who thought husbytning was a d å poor idea ...
We do not know anything yet. We have not v æ right there.
- Soon we will know more. - Thank you for the confidence.
Someone is in our house and doing god-knows-what.
- Yes, but ... - In our bed room æ size.
They are engl æ Burners, s å the g r not.
I h å just pray, that we drew the short str å.
I ... Look around. Here's a beautiful.
- We have not seen the house yet. - And it does not rain.
See where gr nt here. We will disprove all of you nay-sayers.
Yes, we are still here Glastonbury.
We st å s next this known, religious see tr æ.
And personally I'm here the music was due
- I know, that not all votes conversion
- And Desv æ rre includes the my company.
But I had some very promising meters, before we left the USA-
- And I h å ber that I in l bet these m å Netherlands
- Will be able to make some good sange-
- S å I am ready to re k, n å r we get back.
I h å ber, This place is good ...
What do you see p å?
H r p å me, bitch!
- What? - Hello!
- He beat her! - My goodness!
- H r! - Movies thou me?
- Damn. - Give me the camera!
- He comes up here. - Give it to me!
- L b, l b! - Come on! Give me the camera!
- Damn! - I'll catch you. I'll kill you!
- Hurry! - I'll kill you!
- Come on! - I come, Gin. Start the car!
Who is it?
- Fast! - K r!
K r now, Gin!
- Give me the camera! - Damn! Good grief.
F å the v æ k!
What the hell?
- What a purchasing RSEL. - Wow ...
- See ... - Mild aunt.
Good god.
What a place! It is n æ medieval stone-like.
- Hello! Hj æ LPs you me? - Forget it. We g å r in and look.
- Okay ... - Come on.
I have found n glen!
- Hello? - Hello?
- What the hell was that? - I do not know ...
It was probably this one, who dropped by.
- What is it? - Hot water boiler.
- Does it work? - Yes, you can h re it.
- Thank God. - Okay. Now we see around us.
Utility room.
Badev æ size.
Damn. The n æ antique stone.
- Let the bar v æ re. - We'll fix it.
Forts æ t.
A lot of old stuff.
My goodness, it is like a maze.
Are you coming?
This is the library.
And the house's cleanest room.
- What do you think? - About what?
To you, n å r to write. It's perfect.
S æ t you down. Give me the camera.
- S æ t you down. - Should I saw æ support me?
Yes, okay.
- What do you think? - It's probably okay.
I f å r not made much s å dan here.
- Yes, g å r well depends. - Good.
Stop.
Look at him.
See here.
What a mess.
- Look at it there. - What is it? A kind of mask.
L å st.
This is lovely.
Yes, this is bedr æ relset. It's å I p å network.
- There were pictures. - It is much finer.
Wardrobe. There should just be cleared up, but fine.
- And there? - A cupboard for.
And ... It has clean d, I attempt to gte å Open.
It is å l st.
It is lovely.
- Not with it. - What?
- Turn off it. - Come on.
- Now it off. - No, it's not. It illuminates.
You're full of crap. I see the lights.
K the Kitchen. Large and fine.
Look at all those things. Breakfast Ting and s å dan. Vin.
- Good å rgang? - I do not know. It looks cheap out.
The cooker. It warned me about. An AGA cooker. It is always t æ turned on.
Okay, that's your department.
R vpapir.
M æ milk and stuff. Å h, see.
- Dinner. - Lovely.
Fine. I think about it. It is bright and fine.
It will be good. I can see myself cooking here.
Good. Back to the stove, bitch.
And ... starting!
Behind d s number one.
It's incredible!
Okay, you've convinced me. I will.
- What about the lamp? - The lights.
- Hello, everyone, at home. - Hello, hello.
Here we are in our glorious, new home in England.
What do you think?
- Envious? - Not cheesy, right?
I had my questionable
- And I'm usually the last to reg mme, I am wrong.
But, Matthew, this time you were right.
I think that it will be lovely. S å, now it said.
- Now we have the p å å nd b. - I said it, it's true.
- This is pretty cool. - Yes.
The stove is t æ lit, we drink wine. It's great.
- What was that? There are uncanny. - What?
- N å, but ... - It is s clean, or s å such thing.
S å dan's went straight bsr clean here.
We promise to keep you updated about everything that's going å r.
Not everything that happens, but ...
- It's time to stop. Cut. - Hello.
I just need to get my purse.
Should the camera v æ re t æ turned on?
Turn off the just. I would capture a little atmosphere æ re.
The reason we are here, more or less ...
... Is that I wrote a manufacturing for a half å r ago-
- A film script, which takes place here on å egnen-
- About King Arthur and the Round Table.
I sent it for a production company in London.
They said that they thought of it.
This f ltes as the ultimate place to write a screenplay about King Arthur-
- P å approximately the same place, as it all must have occurred.
Fade.
Okay. A little not start, but now I'm back.
I walked around the house and drank coffee.
Now I'm back and we certainly write something.
Ginny g å s back and forth upstairs å.
N å r t she æ thinking about what she will write g å r she always around.
Before she's æ tter down and write, she wanders around.
I ... Yes, I have forgotten her gift.
I forgot, I had k bt a gift.
Wanna see what I k bt? She has f birthday in n æ next week-
- And I have k bt one thing.
She will love it. It is in here.
Å h, crosses!
It was weird.
Hello?
- Hello. - Hello. Were you in here just f r?
Yes, a minute ago.
I am still tr ??æ t.
- Where l æ long have you slept? - In a few hours, I think.
Come here.
Yes ...
- No, turn it off. V æ k with it. - Come on.
Completely æ bad, it's not funny.
- I fors costs not need to re æ funny. - Well, it is not.
The most important is keeping cook with wine.
- You have a f å enough. - Not yet.
It's alts å my f first attempt p å cook p å AGA cooker here.
I want to make English p ns, å also called "bangers".
No naughty jokes, I know how you t æ thinking.
Now they lie there and fry, a little slow.
It'll g å. Give me the camera.
Here we are in our everyday idyll. A brand new br bold. Lovely.
I've become very domesticated, since we came to England.
- What do you say, darling? - Yes, very.
Fine, British porcelain æ n, I do not know ...
Damn!
Hello there! Hallo! What the hell are you doing?
Almen way!
- Who the hell was that? - I do not know.
Son of a bitch!
I ... It sounds t å science studies, but I have not the right mood.
It's a great house, but it does not float.
I imagined, it would mme size of me-
- P å this magical place. But it g r not.
I ... I'm frustrated.
Ginny ...
- Hello. - Hello.
- How g å r it? - Good.
- I'm proud of you. - Thank you, honey.
I am alts å little busy.
Thank you.
- Start. - Okay, okay.
This is ... We g å r there.
It looks hot out, but it is not here.
- What is it? Continued æ l. - Glastonbury Thor.
I and Matt l ber racing, but he has not tr æ network in a half å r
- S å lose enough and going to owe me money.
See you!
- Hello! Come back. - Come on!
It is not æ lit, p å it is just to aim ... It has autofocus.
Good.
Now we're halfway up, and I f RER, again.
I had the camera ... this nice man ...
- What is your name? - Richard.
Richard, who's å friendly filming us here.
- Wonderful. - It is very beautiful.
Richard, you will film the view?
You see, all bastards at home. We would wish that you were here!
- It is not smog, but haze. - Yes, I have h rt about it?
- Come on! - I just filming this angle also å.
It is not easy, n å r one has the camera, right?
We have n å a top, and our little competition ended up that I won.
It is not clear yet.
- We are waiting å å m lfotoet. - Yes.
But I think I won. He lets me certainly win.
Should you also å find you in this?
Yes ... Are you married?
- Damn! - It was good!
Alts å.
I did not h rt you ...
We have v æ right in Glastonbury again today, up by Thor.
- Pretty cool ... Not? Tax? - Matt!
What is it?
- In there! My goodness. - What?
- Damn. - It's ul æ locked n.
- To hell. - R å the v æ k!
Okay ...
Good god!
Damn!
- F j! - It's ul æ locked n!
- Rinse it out! - I let the damn not be in the house.
- R å the v æ k! - I am p å way!
I have v æ right inside in this musikhandel-
- And k bt a recorder she has the desire to l æ long.
It is a surprise. I k bte also å something else ... Now she comes.
I love the heart-shaped æ happens. Your mother will probably want to have one.
Should we g å back to the car?
You are obsessed with that.
We just v æ right p å shopping Glastonbury.
I was not happy with my gift to Ginny, p å I k bte it here.
It is a really f dselsdagsgave.
- She has the desire to p å dan one l æ long. - Hello.
- Is it for me?
No!
- Yes, that's it. - No.
- M å I f å it now? - It's your f birthday.
I need it now.
Come on.
- Okay ... - Good Lord, what a surprise!
Thank you, honey. I love it.
Play now with the and let me write.
Women ...
- Tax? - Yes?
- Sorry. Did you take it? - What?
- B å vCR. - What? I gave you the right f r.
I fors costs to write ...
I å opened it, and s å I went on å toilet.
When I came back, the v æ k.
- You l æ gger always things ... - I thought you were joking with me.
Why would I ... I gave you the right f r, it was a surprise.
- Why would I s å take it again? - It's weird. Hj æ lp looking.
I ... I fors costs to write.
Two minutes. I do not know what became of it.
Okay.
V æ k.
I took it out of the bag and æ disk and put it there.
The instructions ...
- And you do not have v æ right elsewhere? - In bedr æ relset.
Here it is not.
It just disappeared.
Well ... You m å have laid the a place and s å have forgotten it.
You did not have I got it.
What? What are you talking about?
- I rest me a little, okay? - V æ s now not so å dan, Ginny.
- Okay, take a nap. - The g r i.
- See you later. - Hello.
Ginny is still upset, that the thing disappeared.
Her b å ndoptager. S å ...
... To f å peace of mind I will call Wilson in LA
- Living in our house, and just chat with them.
Skype!
Hey, Jack! It's Matt. Can you h re me?
Hi, Matt. This is Jack. I can not see you yet ...
There you are!
A ravishing house. Fruit from trees æ markets, sunshine - it is Magel tr!
S å dan's California.
- How are you? G å r good? - Sure ...
- Maggie, this is Matt from England. - Hey, Matt!
Amazingly, I would swap it here for it over there ...
How is the atmosphere æ clean? F clay inspired?
Glastonbury is the original Avalon-
- Where Camelot and all Arthurian legends arose.
Yes, here is very evocative. I would sp ferries on something, Jack ...
What is it, Matt?
Have you experienced something weird, that things disappear?
Ginny think it is as if we will Surveillanc å get any.
- Stalker ... - Did you say stalker?
- I do not think I f å s problems. - We already have problems.
Things have disappeared. I think he comes into the house.
He can not get into. We switched all l å late, and there's cameras.
Cameras? Do you have cameras in the house?
- Did not you know? - I thought.
Where are they?
There is one right next to you.
- How many are there? - Only one more, at hovedd clean.
But he does not address via hovedd clean.
I can send a link s å you can see him on å computer.
- Okay ... Have you kept an eye on us? - No!
- In bedr æ relset? - There is no camera in the bedr æ relset.
The cameras are a just a part of the house. Use them as you will.
- Okay. - Tax?
I m å l be. Hello.
- Who were you talking to? - Jack and Maggie in LA.
- Think about the house? - Yes, they love it.
- Do they fit well on å it? - Yes, g r they.
- Could you see it on å computer? - They had not ruined anything.
Okay. Good.
- I will write. - Okay. See you later.
Okay.
Yes ...
I have talked with Wilson.
And ... I found out ... I found out it with kameraerne-
- As they have installed, security cameras.
They have shown had problems with a man prowling around.
I do not ... They expressed themselves rather vague about it.
Selvf lgelig would not say it, if there was something wrong with the house.
I ... I do not know I must say it to Ginny.
Alts å ...
It was my idea, that we should take it.
And she begins to come to terms ...
... S å g make her sad now ...
... With something that m å not happen is something ... It's m å happen ...
There m å happen just for fun.
But I will not lie to her.
But I ... I do not think it is a good idea to say it.
Not now.
Honey ... Do you mind to sleep in the side?
I know that it is your hand, but ... can we swap?
- Preferably not. Why? - Because ...
Because d clean is on the side s å I v æ re ...
- I could st å up and g p å å wc. - Yes ... It's just ...
It is a new house, and the f les safer if I'm n æ rmest d clean.
- Good book? - It is actually quite boring.
- I want to sleep. - Do you sleep?
- Are you tired æ t? - Yes.
- Very tr æ t? - Yes, very tired æ t.
Okay.
Do not turn off?
I would like to have the t æ turned on.
And it is scary.
Tax?
Bring you camera!
Where does it come from?
- Tax? - Stay v æ k, Ginny!
I ... t æ lit ...
I played with the former. I m å having set it.
Honey ... What do you need sv æ tempered?
- Hey, there you are. - Hello.
- You were v æ k before I v å woke. - I was out jogging.
- Okay? I k bt some food. - Great.
- I make coffee. Want some? - Sure.
Thank you.
Gin?
I'll take it!
My goodness. Damn ...
S å dan ...
Hello? Yes, it's me.
Yes. Great.
I come. Okay. Goodbye.
- Tax? - Hello.
- What are you doing? - I s å a deer, but I missed it.
- Filmed you mean? - Yes. I thought it was okay.
I have recorded and rewound, and was going to see it.
- Sorry. I filmed just something ... - You've probably deleted it now.
- I had recorded something. - Sorry. Why is it so å important?
- It is not. Okay? - What's with you?
Nothing.
No ... No, no.
Damn!
Okay, this is Ginny's video diary.
I will talk about Matt.
He ... opf RER right weird.
He does not seem happy here.
He sleeps d å bad, and I do not think he f å r made s å much.
I ... I do not know what caused it.
Moreover, I think ...
... That he knows something which he continued æ curls.
Something that has me re g. He keeps something hidden.
The f les as if we do not communicate.
He will å evidently not say what ails him.
There is something odd about this place. Yes, that was all.
S å ... I found ...
Ginny made a little recording here but I do not think she adopted
- I know that she has nothing recorded.
When I was angry with å her today ...
She filmed on top of something, there was very important.
I do not like to hide things from her, but ...
... I see no reason to Skr æ mme and worry her with it.
I can deal with it here, it is not ...
It is not something s æ bad, I'll make it.
What was it? Goddamn it!
Hello?
Matt? Sorry! Sorry.
- What are you doing? - I thought I heard something h.
- Did you? - Yes ...
G å just back to bed. I look right after.
- Okay? - Okay.
S å ... I have installed some more cameras.
I'll catch him.
I will find out who he is.
There should not be any v æ m å those he can get into p å ...
... Unless I can see him here. I have the cameras ...
All entrances, stairs ...
It was here already. And hovedd clean.
I will find him. I find him.
I have bubble wrap here ...
... I will l æ walls as a lydf æ LDE.
Now I h re, n å r he comes.
It seems a bit exaggerated, but ...
... I have not told it to Ginny.
- Are you coming? - Yes, honey. Just a moment!
What more can I re g?
Hello?
It's Matt, Matthew Powsey.
Yes, that's correct address. We have swapped house.
They are in California.
- H r ... - Who are you talking to?
V æ s quiet. Just v æ be quiet.
H r here ... No, h r now after.
- I h re someone in the house. - What the hell?
V æ r quiet, damn!
No, not you. Sorry.
I h re, that there is someone in the house.
Can you send someone here, please?
Are you all alone?
What should we s å g re?
Jas å. Thank you. Goodbye.
What are you doing?
Can you ... v æ be quiet?
Okay? You must æ be quiet.
Hello?
Anyone here?
My goodness!
What was it? What happens?
- Is there anyone in the house? - I do not know.
Did you know ... that someone would come into the house?
You've sv æ tempered that by the bed.
Say, what's going å r! Why do you hide things from me?
I would not go make you uneasy. I have just found out.
I would not skr æ mme you, I did not know ...
- It is as if you have l jet for me. - I have not l jet.
What camera ... I discuss no, n å r you st å r with that!
- I care not in it now! - F å the v æ k.
I'm sorry. Okay? I'm sorry.
I can not believe you have hidden this for me.
- You have brought us out into this. - I have not brought us into something.
I knew nothing about it.
I m å happen v æ re progressed earlier if I had shown something.
The slide?
- I can not talk to you anymore. - I can not sleep.
Fine, p å æ l s or s å such thing. I will attempt ge to sleep.
You are a pig.
I'm sorry ...
- Sit down. - Thank you.
- Do you want coffee? - No thanks.
- What was your name again? - Valet Cooper.
Good.
- The reason ... - M å I just f å name rst?
Matthew Powsey.
- With two Ts? - Yes.
P-o-w-s-e-y.
- And the young lady is your wife? - No.
- And your name? - She is my k æ reste.
- Ginny Baker. - Okay.
Do you own words describe what happened?
V æ s kind enough to give me times and h æ ndelsesforl bet.
I h heard noises downstairs.
And it was the time?
- I do not ... - Semi-three?
- Semi-three, quarter into three. - You called it m å v æ're registered.
Yes. Okay. You h heard a sound. Forts æ t.
I h heard a noise downstairs. I had to put bubble wrap out ...
... To ... There has been other things past and I thought that ...
- I have known that there has been nothing. - You have known?
What is it that has happened in the past?
Your stuff disappeared. It was a great ...
He had given me a b å ndoptager, a voice recorder.
It was rather a music recorder.
It was pricey. I å opened it, went on å wc ??and s å was the v æ k.
- I'm writing "voice". Is that okay? - Yes, yes. Fine.
And sorry, what did you say?
When I came back from the toilet, was the v æ k.
- From bedr æ relset? - A v æ size where I write and p å dan.
You went on å toilet ...
There m å garden v æ right one, who came in and took it.
If you want to g å to insurance ...
It's like ... It is less important.
Insurance is good, but the problem is anyone coming into the house.
I understand å r. I fors costs to fastsl å, what evidence do you have for it-
- In addition to bubble plastic.
The sounds, her missing b å ndoptager ...
- Okay. - Someone shat on the floor p å å æ Badev relset.
- Yes, p å æ Badev relset underneath. - I beg your pardon?
- We got home, and Ginny found ... - Aff ring?
... B æ, a shit p å floor.
- Okay, a shit p å æ Badev relset. - P å downstairs.
In addition to that, there is no evidence p å defective windows ...
- Nothing. - And I have l å st all d re?
Yes, selvf lgelig. I have damn å also set up cameras.
- We ... - Sorry. Cameras?
There were a few here in advance.
But those who lived here f r, has certainly had contacted you.
They said there was a man ...
They do not know who, but a man prowling around.
They had had problems, p å it is enough not f first time, it is rung.
S å far as I know, is the rst time. There is not recorded.
I m å ask you take all the cameras down.
As I m å be seen, g å r a public road including
- And it is illegal to film ...
- Are you kidding? - Regrettably æ rre not.
- I will not ... - It is someone who comes into the house.
Our only m å they protect us is with the cam-
- S å we can see n å r coming no, but you say that ...
I understand å s what you think but I m ??å ask you to take them down.
- I give you no warning ... - I'm calling my lawyer in LA.
I would sp RGE him, but I take no down without a warrant.
- Now we are taking it easy. - Can not transparen ge house?
Can you at least not undergo å house?
- Not today. - Why not?
I am here alone today.
It is not something we can re g p å own h å nd.
If something happens, if there is evidence of Burglary
- We can send some cops out here, Regrettably, however it is bigger æ not possible today.
I have all the information now, s now å å g r i.
I will talk with my boss about it here, p å v æ r not troubled.
- I am uneasy. - S Make sure to l å see everywhere.
- More you can not re g. - Good.
- Is it okay? - Not exactly, but ...
Call us if there is more.
Have a good afternoon.
Thank you and welcome to Somerset.
Today is a great day. I need to London and talk to producenterne-
- Which appeared on my production.
We need to share ideas on the script.
Ginny says she good can v æ re here alone ...
- Are you ready? - Hello. I was just talking about you.
- Let v æ re. Ready to go? - Yes.
- You look good. - Thank you, honey.
- Secure p å you're performing? - S å ... Yes.
Yes, I'll be fine. I have lots of work.
And you certainly comes back, before it becomes m Tools?
Yes, my train arrives at. 16.30 and s å I hurry back.
Okay. You must not v æ re uneasy. It is an important day for you.
- Yes ... - You must have the contract and ...
I'll be fine. I am tough.
- I love you. - I love you.
See you later.
Have your camera with you. I know you do not think about it ...
... But the f les better, if you have it with you.
- I promise. - Okay.
Good luck!
- Hello. - Hello, I'm calling, n å r I am promoting.
- Okay? - Hello.
Matt!
Hello. As promised, I have always camera with me, and it's t æ turned on.
And while you're still looking ... A little light entertainment.
Some chords, I made earlier Today, while I thought of the t æ å you.
N å, but it was only beginning p å an idea.
More of it is commercial, as you are so å happy.
I g æ tter p å, that you will soon be back.
I h å ber that m it went well. See you soon.
Back to my work.
And for your sake ... I use headphones.
Ginny?
The fuse is g å one.
Tax?
What makes the camera there?
Ginny? Tax?
Ginny? Are you sleeping?
Damn.
Good heavens! Tax!
S å dan, Ginny. S å ...
He was here! No, come back!
- You m å å not go there. - Come up, you bastard!
Come forth!
Come back!
Please ...
- I understand å s why. - G r now just. Film me.
- It's not a good ... - Just film me.
V æ r not worried. I will not stand here å motionless æ opened because I have it here.
What the hell is it really?
I think it is a Cricket Bats. It's almost like baseball ...
You m å not bring it yourself in that situation.
Honey, we have no choice, okay?
He came into the house and oblique æ illustrious life of you.
I will s make certain that you are safe, okay?
- But what about you? - I'll be fine.
Want to keep an eye on us in the night, buddy?
- Are you all right? - Yes.
- I can not sleep! - L æ's a book or something.
I have per vet.
You can alts å not remember anything?
Sorry.
- We m å call the police. - No.
- We call them. - No, I said.
Sorry!
Jack, it's Matt.
Yes, I know what time it is.
Yes ... Yes, g r i. I want ...
You must skype me.
Yes, now!
Because it's damn important!
Yes! Now! Thank you.
What is it? Do you know what the time is here? A night.
I would bl æ see p å what time it is. See p å my face.
Can you see this?
You have v æ right up to sl å p.
Yes, in a one-sided scuffle å l with your fucking stalker.
- And then å? It's not my fault. - It's your house.
This stalker, this man, came with your house.
Okay, take it easy.
I will continue æ tell you the story.
We k cried house for about å years ago, p å auction for a good price.
It æ elderly couple who owned it, was put out.
S distressing enough they committed suicide.
Later h rte we know that they had a s n with the territory æ ring problems ...
... But the more we do not know. - Is that all?
It æ elderly couple committed suicide and p nnen ...
And the more you know not?
Now g å r i back to bed. This is your problem.
You gave us this problem, brought us in this situation-
- By s æ put us in ...
I knew about it here. We will have our house back.
T æ nk you. We have a contract p å six meters å months.
The house is not even yours, I live in rented accommodation.
We are here. S å far as I can see, are you totally chancel see.
- V æ n you for it. - No!
Honey, are you up here?
What are you doing?
What does it look like? I travel.
- Stop now. - Why?
Ginny, you're overreacting.
I overreacted when you found me as a simpleton with a knife in the closet?
It seems you safe.
- You were scared. - No, I was damn skr æ kslagen.
I am not here, and you need to take with me.
- I will not leave here. - Yes, please!
- No, g r I do not. - I travel. G r, what the hell you want.
I dogs æ d! We will terrorized by a stupid galning-
- And you'll be here?
He is a boy, an angry, retarded boy.
He slapped you in the face!
I will not let him chase us v æ k.
Now turn it there!
I k RER now.
Ginny ...
Ginny k rte in g å last night.
She ... What are you p å?
It's my fault, I ... I should not have suggested a å it.
Is it what you will h re me say? I catch him, simply.
I will wait for å him, and n å r he sticks its head ...
... I TV æ re it out.
We go back to LA, and everything will be good again.
All being well again.
Damn!
Ginny! Tax?
Ginny?
Why pester me?
- Matt? - Ginny!
I am s å sorry. I could not leave you.
There are safe, there are l å st.
It is å l st.
It is s å frustrating.
We've made it here many times.
We check it again.
Okay?
It is å l st.
L å st.
I made it there.
Nothing there. There are å l st.
Skydel å s, l å st.
- The windows? - Oh, I have l å st.
And here is nothing.
But here sucks. Can you m æ dark it? It smells weird.
A d d rat under the floor, or s å such thing.
- It is å l st. Nothing ... - The windows!
I have checked them ten times!
- L å st? - All together!
The only thing we have not checked, is the d r.
Keep it here.
- What are you doing? - I do l å sen up!
My goodness.
V æ r careful.
Matt! What is it?
There is a yderd s more there. The m å v æ re s å dan, he comes in.
That's fine, but it stops him.
No, but we will h re, if he fors costs to get past.
Okay.
Is that you?
There.
Again. There he is. Let me see your face.
Recording in Progress.
Playing from the archive. 31st March pm. 22.36.
What I miss?
30th March.
Ginny!
Gin!
- March 31. - Yes?
Come and see.
See there ... and there.
T æ curtain.
Bring you camera.
Stay there for a moment.
Stay there.
Cross!
We need a flashlight.
Do you have it? V æ r careful.
My goodness. See it here.
He is in the house!
- Come up! - I come! One moment.
- I m å film it here! - He's here!
Ginny!
Tax!
He was here! I am s å sorry!
- Are you all right? - Yes, just hj æ lp me up.
Hj æ lp me up.
Hello?
It's me.
I ... What? Do you have him? Å h, good god.
Thank you!
Thank you! Thank you! Goodbye.
- They caught him! - What? What do you think?
They took him outside! They passed ...
Okay ...
My goodness, what a day!
What a week!
What is it? Now I will attempt ge to sleep.
You are beautiful.
What?
- It's true. - I know what it means.
- I love you. - I love you more.
Ginny? Ginny!
Get the camera!
Damn! The flashlight.
Ginny! Where are you? Ginny!
Ginny!
Ginny, come out!
Å h, after all!
Good god!
Come on, come on!
Damn!
Ginny ...
Gln.
Where is she?
I did not you wanted to film everything.
It's what you g r in a video diary.
It will be fantastic. It will change our lives.